Two wildly audacious films — Brady Corbet’s 215-minute postwar epic “The Brutalist” and Jacques Audiard’s Spanish language, genre-shifting trans musical “Emilia Perez” — won top honors at the 82nd Golden Globes on Sunday.

The Globes, still finding their footing after years of scandal and makeover, scattered awards around to a number of films. But the awards group put its strongest support behind a pair of movies that sought to defy easy categorization.

“The Brutalist” was crowned best film, drama, putting one of 2024’s most ambitious films on course to be a major contender at the Academy Awards. The film, shot in VistaVision and released with an intermission, also won best director for Corbet and best actor for Adrien Brody. In his acceptance speech, Corbet spoke about filmmakers needing approval on the final cut.

“I was told that this film was un-distributable,” said Corbet. “No one was asking for a 31/2=hour film about a mid-century designer in 70mm. But it works.”

“Emilia Pérez” won best film, comedy or musical, elevating the Oscar chances of Netflix’s top contender. It also won best supporting actress for Zoe Saldaña, best song (“El Mal”) and best non-English language film. Audiard, the French director, made way for Karla Sofía Gascón, the film’s transgender star who plays a Mexican drug lord who undergoes gender affirming surgery, to speak on behalf of the film.

“The light always wins over darkness,” said Gascón, gesturing to her brightly orange dress. “You can maybe put us in jail. You can beat us up. But you never can take away our soul or existence or identity.”

“I am who I am. Not who you want.”

Moore wins first Globe

Although the Globes audience was particularly starry, including nominees Zendaya, Timothée Chalamet, Angelina Jolie and Daniel Craig, most of the winners hailed from smaller, less seen films.

That included some surprises. One was Demi Moore’s win for best actress in a comedy or musical. Her comeback performance in “The Substance,” about a Hollywood star who resorts to an experimental process to regain her youth, landed Moore, 62, her first Globe — a victory that came over the heavily favored Mikey Madison of “Anora.”

“I’m just in shock right now. I’ve been doing this a long time, like over 45 years, and this is the first thing I’ve ever won as an actor,” said Moore, last nominated by the Globes for a film role in 1991 for “Ghost.” “Thirty years ago, I had a producer tell me that I was a popcorn actress.”

Best actress, in a drama film, was an even bigger surprise. Brazilian actress Fernanda Torres won for her performance in “I’m Still Here,” a based-on-a-true-story drama about a family living through the disappearance of political dissident Rubens Paiva in 1970s Rio de Janeiro. Torres dedicated the award to her mother, actor Fernanda Montenegro, who appears in “I’m Still Here,” too.

“She was here 25 years ago,” said Torres. “And this is like a proof that art can endure through life even through difficult moments.”

Best supporting actor in a musical or comedy went to Sebastian Stan for “A Different Man,” in which Stan plays a man with a deformed face who’s healed. Stan, also nominated for playing Donald Trump in “The Apprentice,” noted that both films were hard to get made.

“These are tough subject maters but these films are real and they’re necessary,” said Stan. “But we can’t be afraid and look away.”

Light roast

Comedian Nikki Glaser kicked off the Globes, with a promise: “I’m not here to roast you.”

But Glaser, a stand-up whose breakthrough came in a withering roast of Tom Brady, made her way around the ballroom of the Beverly Hilton in Beverly Hills on Sunday picking out plenty of targets in an opening monologue she had worked out extensively in comedy clubs beforehand.

While Glaser might not have reached Tina Fey and Amy Poehler levels of laughs, the monologue was a winner, and a dramatic improvement over last year’s host, Jo Koy. Last year’s Globes, following a diversity and ethics scandal that led to the dissolution of the Hollywood Foreign Press Association, were widely panned. But they delivered where it counted: Ratings rebounded to about 10 million viewers, according to Nielsen. CBS, who waded in after NBC dumped the Globes, signed up for five more years.

Hosting the Globes two weeks before the inauguration of Donald Trump, Glaser reserved perhaps her most cutting line for the entire room of Hollywood stars.

“You could really do anything ... except tell the country who to vote for,” said Glaser. “But it’s OK, you’ll get ‘em next time ... if there is one. I’m scared.”

The Globes are owned by Todd Boehly’s Eldridge Industries and Dick Clark Productions, which acquired the award show from the now defunct Hollywood Foreign Press Association. However, more than a dozen former HFPA members seek to have the sale to Eldridge Industries and Dick Clark Productions rescinded.

A win for ‘Wicked’

Unlike last year’s Oscar race, when “Oppenheimer” rolled, this year’s season has more uncertain, with a field of contenders. Most of the movies that are seen as having a chance — “Conclave,” “Emilia Perez,” “The Brutalist,” “Wicked” and “Anora” — came away with at least one award Sunday. The exception was Sean Baker’s Palme d’Or-winning “Anora,” which went home empty handed despite five nominations.

The Globes’ award for cinematic and box-office achievement went to Jon M. Chu’s “Wicked,” which has nearly collected $700 million in theaters. In a heavily arthouse Oscar field, “Wicked” is easily the biggest hit in the best picture mix.