PARIS >> For powerful men in France’s film industry, this was a week of reckoning. Gérard Depardieu — the country’s most famous male actor — was convicted of sexual assault. Two days later, the Cannes Film Festival barred another actor accused of rape from walking the red carpet.

Together, the decisions sent a message that France had long resisted: that artistic brilliance may no longer shield those who abuse their power.

For decades, Depardieu was revered as French cinema’s “sacred monster” — a towering talent whose gluttony, volatility and magnetism became part of his myth. With more than 250 films to his name, many believed he would remain untouchable even after more than 20 women accused him of sexual misconduct.

Now, that myth has cracked.

The verdict has revived a broader question France has ducked since the dawn of the #MeToo movement: Can a country that celebrates seduction and irreverence finally hold its male icons to account?

France has long lived its own #MeToo contradiction. That talent, charm, or intellect forgives misconduct. That the art excuses the artist. This is the land that gave the world Brigitte Bardot’s pout and Catherine Deneuve’s poise — and then watched both recoil when the movement came knocking. Deneuve has defended “the right” to seduce, while Bardot has dismissed feminism outright: “I like men.”

But the ground is shifting.

Depardieu was handed an 18-month suspended sentence on Tuesday for groping two women on a 2021 film set. He denies the charges and is appealing.

“It’s the end of impunity of artists with a capital A,” Carine Durrieu Diebolt, a lawyer for one of the two women who won their case against Depardieu, told The Associated Press. The verdict represented “a bookend for putting actors on a pedestal because they were talented,” she added.

Two days later, the prestigious Cannes Film Festival barred actor Théo Navarro-Mussy — accused of rape by three former partners — from attending the premiere of the movie “Case 137,” which he stars in, even though the file was dropped for lack of evidence. The women are launching a civil complaint.

Navarro-Mussy denies wrongdoing. His lawyer said that she’s unaware of any ongoing proceedings against him.

Dominik Moll, the movie’s director, said he supported the move. “It was the proper decision,” he told the AP. “Out of respect for the women, the plaintiffs.”